{"id":3050,"date":"2025-08-26T22:11:51","date_gmt":"2025-08-26T22:11:51","guid":{"rendered":"https:\/\/salalacuadra.es\/?page_id=3050"},"modified":"2025-11-28T10:59:33","modified_gmt":"2025-11-28T10:59:33","slug":"triptico-trickster","status":"publish","type":"page","link":"https:\/\/salalacuadra.es\/en\/triptico-trickster\/","title":{"rendered":"Trip\/tico Trickster"},"content":{"rendered":"
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TRIP\/TICO TRICKSTER
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workshop description<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u00a0<\/p>

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Cycle: Triptych of Masks and Archetypal Figures<\/strong><\/h1>

Charlatans \u2014 Jesters \u2014 The Red Nose<\/strong><\/p>

This series offers a journey through three archetypal figures that permeate the history of theater, myth, and the human imagination. Three distinct ways to activate creativity, expand presence, and engage with deeper layers of our psyche through the body, imagery, and ritual play.<\/p>

Over three separate\u2014but interconnected\u2014weekends we will explore the Swindlers<\/strong>, the Jesters<\/strong> and the Red Nose<\/strong>, understood not as stage characters, but as vital forces<\/strong>internal images and poetic structures that can transform the way we create, look, and move in the world.<\/p>

Each module opens a different territory:<\/p>

Swindlers \u2014 The art of twisting the path<\/strong><\/h3>

The Trickster appears when the established order becomes rigid. It is the force that disrupts, that alters, that reveals cracks and contradictions. Its energy invites us to break patterns, to play on the edge, and to open spaces where something new can emerge.
We will work from myth, physical presence, masks, and play to activate that creative dimension that questions, displaces, and renews.<\/p>

Jesters \u2014 The ferocious laughter and lucidity of the margins<\/strong><\/h3>

The Jester not only exposes the shadows of the community: he also points out our own. With his unsettling humor and distorted perspective, he reveals what we prefer not to see\u2014both outside and within.
In this module we will explore deformation, parody and grotesque physicality as tools to unleash creativity, deactivate rigidities and recognize shadow areas that ask to be transformed.<\/p>

The Red Nose \u2014 Vulnerability, presence, and revelation<\/strong><\/h3>

The world's smallest mask opens up the largest space: that of naked humanity. The red nose is not a character, but a mirror that amplifies our vulnerability, our absurdity, and our tenderness.
Here we will work on listening, being in the present, luminous failure, and the poetics of honest play.<\/p>

Methodology and approach<\/strong><\/h2>

The cycle combines bodily, imaginal, and performative practices:<\/p>

  • I work with a mask<\/p><\/li>

  • physical improvisation<\/p><\/li>

  • exploration of myth and symbolic narrative<\/p><\/li>

  • exercises in presence, perception and play<\/p><\/li>

  • writing, drawing, or intuitive materials to expand internal images<\/p><\/li>

  • individual, duo and group work<\/p><\/li><\/ul>

    All of this stems from a pedagogy that draws from mask and physical theatre<\/em>, depth psychology and the approach of Integral Embodiment and Performance Practice (IEPP)<\/strong> from the Thomas Prattki Center.<\/p>

    We are not looking for stage results or closed techniques, but living creative processes<\/strong>: to open new territories, to make patterns more flexible, to delve deeper into the imagination and to expand our expressive capacity.<\/p>

    Who is it aimed at?<\/h3>

    The lab is open to creators from various artistic disciplines\u2014theater, dance, visual arts, writing, music\u2014as well as anyone interested in exploring imagination through the body, myth, and creative practice.
    No prior experience in theater or bodywork is necessary: the proposal is an accessible space for research for those who want to open a dialogue with their own internal images, expand their expressive resources, or nourish their artistic practice from a deeper and more poetic place.<\/p>

    Note on the approach<\/h3>

    This laboratory is nourished by the tradition of physical and mask theatre<\/strong>\u00a0developed around the pedagogy of Jacques Lecoq<\/strong>which understands the body as a source of play, imagination, and profound knowledge. It is also inspired by the contributions of depth psychology<\/strong>where myth and symbol are recognized as expressions of human experience beyond the individual. In dialogue with these currents, the work draws inspiration from the methodologies of Thomas Prattki Center<\/strong>, which proposes a path of creative exploration through the body, the mask and poetic imagination.<\/p>

    Days and times<\/h3>

    January 10th and 11th: Swindlers<\/p>

    January 17th and 18th: Jesters<\/p>

    January 24th and 25th: The Red Nose<\/p>


    From 10:00 to 19:00 hours<\/p>

    Laboratory cost<\/h3>

    1 Module: 100 Euros<\/p>

    2 Modules: 180 Euros<\/p>

    3 Modules: 240 Euros<\/p>

    Early bird (until December 20): -10% in any modality<\/p>

    Note on the cycle<\/h3>

    The modules must be done in order, since each one
    prepare the ground for the next one.<\/strong><\/p>

    Registration:<\/b><\/p>

    Write to salalacuadra@gmail.com<\/p>

    Requirements:<\/b> comfortable clothing for movement, paper and pen.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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    About Carlos<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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    Carlos Cegarra<\/strong> He is a performing artist, movement educator, and facilitator of creative processes. He trained in the London International School of Performing Arts<\/strong> (London), has delved into disciplines such as physical and gestural theatre, theatrical play, the ritual and pedagogical mask, and the intersections between theatre, dance and somatic techniques.<\/p>

    His career as a teacher includes the Master's Degree in Dance and Movement Arts from UCAM<\/strong> (Murcia), the Diploma in Mask Making from the University of San Mart\u00edn <\/strong>(Buenos Aires), the IFTS of the Thrissur School of Drama<\/strong> (Kerala, India), Cabuia \u2013 school of theatre and movement<\/strong> (Buenos Aires) and the translation faculty of the Moscow State Linguistic University<\/strong> (Russia).<\/p>

    She is currently part of the teaching team at arthaus.berlin\/Thomas Prattki Center<\/strong> and his work is oriented towards the integration of body, imagination and creativity from an initiatory perspective.<\/p>

    He has been in charge for some years now. La Cuadra<\/strong>An art center in a rural area near the Mar Menor, offering a program focused on education, community, and transformation. This approach aims to provide an embodied, playful experience connected to the personal and the relational.<\/p>

    He is also the founder and director of the company Enkidu Theater<\/strong>.\u00a0<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

    TRIP\/TICO TRICKSTERCiclo de inmersi\u00f3n creativa descripci\u00f3n del taller \u00a0 \u00a0 Ciclo: Tr\u00edptico de M\u00e1scaras y Figuras Arquet\u00edpicas Embaucadores \u2014 Bufones \u2014 La Nariz Roja Este ciclo propone un recorrido por […]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"_links":{"self":[{"href":"https:\/\/salalacuadra.es\/en\/wp-json\/wp\/v2\/pages\/3050"}],"collection":[{"href":"https:\/\/salalacuadra.es\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/salalacuadra.es\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/salalacuadra.es\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/salalacuadra.es\/en\/wp-json\/wp\/v2\/comments?post=3050"}],"version-history":[{"count":50,"href":"https:\/\/salalacuadra.es\/en\/wp-json\/wp\/v2\/pages\/3050\/revisions"}],"predecessor-version":[{"id":3234,"href":"https:\/\/salalacuadra.es\/en\/wp-json\/wp\/v2\/pages\/3050\/revisions\/3234"}],"wp:attachment":[{"href":"https:\/\/salalacuadra.es\/en\/wp-json\/wp\/v2\/media?parent=3050"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}