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Fire
Fire burns in the sun and the stars, pulsates in the metabolism of living beings, and pulses in every combustion that sustains life. It is both a blessing and a danger: it creates a home, light, and nourishment, but it also demands fuel, consumption, and sacrifice. The entire universe is burning, and human beings have learned to approach and converse with its power.
In this workshop we propose open fire as the axis of creationWe'll explore its many faces: the fire in myths and traditional tales, the fire of history and rituals, the fire of our own bodies and our imaginations. An element as close as it is mysterious, as necessary as it is dangerous.
We will work with masks, movement, writing and intuitive drawing, which will help us connect with personal and collective images, with creative forces that inhabit us.
In an overheated world—due to climate, war, social and physical inflammation—this space does not seek to offer formulas or solutions, but rather to open a fertile field for creation: a place to experiment and imagine, to find ways to ignite and contain the creative and transformative fire.
Participants
The workshop is aimed at artists of all disciplines who wish to connect with their creative sources, as well as individuals who wish to develop practices that allow them to explore new forms of expression.
Dates and time:
October 27, 28 and 29: from 10:00 a.m. to 5:00 p.m.
Place:
Párraga Center, Murcia
Cost: 110 Euros
We believe in access to artistic work as a vital practice. If you feel like participating but are facing a challenging financial situation, please write to us: partial scholarships are available.
Registration form:
Click here To access
Requirements: comfortable clothing for movement, paper and pen.
Carlos Cegarra He is a performing artist deeply committed to theater as a space for embodied creation, transformation, and connection. His work draws on a vision of art as a form of listening, play, and a space for the personal and the collective to meet.
As an actor, creator, stage director, and facilitator of creative processes, he has collaborated with communities and institutions in diverse contexts, always guided by a sensitive approach to the body as a source of knowledge and expression. His training in Lecoq pedagogy, as well as his journey in the approach to Comprehensive Embodiment and Performance Practice (Thomas Prattki Centre), maintain a practice that interweaves gestural theatre, mask, movement and myth as paths of creation and learning.
Her current research focuses on holistic body processes that cultivate creative autonomy and generate performance practices that intertwine the intimate, the relational, and the symbolic.