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Neutral mask
The use of masks has been part of collective rituals since time immemorial. We find them in very diverse and distant ancestral traditions. They take us back to the origins of performance and therefore to the deepest roots of theater.
The neutral mask initiates us into stage play, allowing us to discover the maximum expressive breadth of our body and our imagination.
This work allows us to develop awareness of our body in movement and in dialogue with our own poetic world, in the search for a greater state of presence.
The neutral mask is an invitation to live in the present moment and summon in our body the great movement or mystery that animates the world.
We will work with masks by Alfredo Iriarte.
Dates and time:
May 11: 10:00 a.m. to 7:00 p.m. (with one hour break)
May 12: from 10:00 to 14:00
Place:
La Cuadra – Los Nietos Viejos- Location
12 participants maximum.
Contribution: 95 Euro
Registration form:
Click here To access
Discounts: Ask us if you participate in other workshops in La Cuadra in the spring of 2024 or if you need it.
Requirements: Comfortable clothing for movement – preferably black.
Transportation from Murcia and accommodation in Los Nietos:
Los Nietos Viejos is accessible by public transportation.
We leave you here the link to the train schedules from Cartagena:
https://www.adif.es/-/05973-nietos-viejos
We will try to coordinate the participants who come from Murcia
to facilitate access to those people who do not have means
own transportation. Likewise, there are possibilities of spending the night in
The grandsons. Ask us
Carlos Cegarra is a performing artist who has developed his practice over the last 20 years as an actor, creator and stage director, and facilitator of creative processes. His teaching work has led him to be part of educational projects in multiple countries as well as higher education institutions in different parts of the world.
Graduated in 2010 from the London International School of Performing Arts under the direction of Thomas Prattki. Since then, Carlos has continued to investigate gestural theater, theatrical play, the mask as a ritual element and as a pedagogical tool, the intersections between dance and theater as well as other avenues of study and learning through movement.
Currently, her interest is oriented towards integral processes of the body that allow the acquisition of greater creative autonomy, and the development of a performing practice where the personal, the interpersonal and the myth can meet.
He is director of the Enkidu Teatro company.